# From von Humboldt, Geographie des Plantes Equinoxiales

Alexander von Humboldt and Aimé Bonpland, Géographie des plantes Équinoxiales: Tableau physique des Andes et Pays voisins, from Essai sur la géographie des plantes, 1805, hand-colored print, 24 x 36 in., Royal Botanic Gardens, Kew, © Copyright The Board of Trustees of the Royal Botanic Gardens, Kew. Engraving, coloured, created 1805 by Lorenz Adolf Schönberger (1768–1847) and Pierre François Turpin (1775–1840) after a drawing by Humboldt. Engraving work by Louis Bouquet (1765–1814), 37 × 80.3 cm

From von Humboldt’s Essay on the Geography of Plants. (Cross-section through South American with the volcano Chimborazo and photography of plant life.) Science is always presented beautifully in his productions, and Poe is rightly impressed. Note how the round hand script contrasts with and complements the block title.

From https://americanart.si.edu/exhibitions/humboldt/online/alexander-von-humboldt-bonpland, accessed 17 October 2021:

In 1805 Humboldt and Bonpland published this plant geography map, which Humboldt called his Naturgemälde or “picture of nature.” It combines illusionistic watercolor with a cutaway diagram labeled with the plants he and Bonpland observed in South America, shown at the altitudes where they found them. This map affirmed his belief that the distribution of plants around the globe could be correlated based on altitude and the rock underneath. By amassing and comparing this kind of data, Humboldt refined his theory that everything on the planet was interrelated. His idea of the unity of nature —that plants, animals, and climate are related in ecosystems—is widely accepted today, but was a radical concept when Humboldt first began writing about it.

Joseph Karl Stieler’s 1843 portrait of Alexander von Humboldt

Von Humboldt’s Kosmos (1845)